Your formats. Your way.

Work with the formats, raster sizes, and frame rates you choose – without the wait. Native support allows you to focus on being creative without getting bogged down by transcoding and rendering. Maintain camera-original quality from ingest to output. Freely mix formats in the Avid open timeline. Play back in real time over HD-SDI for final mastering. It’s simple, work the way you want.

 

Avid + Panasonic P2: The fastest path from shoot to edit

With Avid, editing Panasonic P2 footage is fast and easy. Native file support for DVCPRO HD and AVC-I means no transcoding, digitizing, or file conversion of any kind. Edit directly from the P2 card or from a drive. It’s simple, efficient, immediate gratification for your creative and business sides.

Avid + Sony XDCAM: Seamless sessions from import to export

Avid editing systems provide fast access, review, and editing of native XDCAM material, whether from optical Blu-ray or SxS card. Increase editing efficiencies with low-resolution proxies, mixed codecs, and multi-stream real-time playback. Maximize XDCAM’s versatility by working in an Avid workflow.

Avid + RED R3D: High resolution without the high price tag

Avid solutions deliver all the advantages of working with the RED camera, plus the unmatched professional support and flexibility of cutting on an Avid editing system. From a streamline import of picture and sound to extensive metadata management for accurate HD and DPX finishing, Avid manages the details so you don’t have to.

Avid + 2K/4K: Store & share big files with little effort

Bottom line, 2K and 4K files are big, but this doesn’t mean it has to be difficult or expensive to store and share these files throughout your editing process. Avid MetaFuze transcodes high-resolution file formats – such as DPX – to Avid DNxHD media with metadata for more efficient offline or finishing workflows, so now you can work the way you want.

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